of kindness, and cabbages, and the death of my father

Today marks one week since my father died.

It's not easy to write about my father. At least, it is not easy to write about my father in the manner people expect you to write about a father after he has passed. We did not have an easy relationship. He wasn't really such a good father.

The morning after my father died I walked seven miles before lunch. I crossed the railroad tracks to the spacious tree-lined neighborhood just east of my home, where the houses seem to preside rather than populate the streets. I usually walk in my own well-ordered neighborhood: small Craftsman homes, rope swings dangling over sidewalks, roadside vegetable gardens, beehives, bikes heaped on porches. But that morning I wanted to wander without knowing exactly where I was, so I crossed over tracks and past the golf course. The roads, no longer gridded, meandered as if they'd lost all track of time. The houses, too, were dreamlike—facades like elegant faces with half-lidded eyes, enormous shrubs like well-coiffed hair. The only people visible were landscapers armed with blowers and wackers.

I walked. Sometimes I cried. I didn't greet anyone because there was no one to greet.

When I was a child many people told me I was like my father. As I grew up this seemed to me more a burden than a boon. My father was not a happy man, and his bleak outlook on life seemed to drain joy and spontaneity from any endeavor. I did my best to not be like him, and yet many of my personality traits flowed directly from him anyway. The list of interests we shared is endless: photography, rock collecting, birding, weaving, botany, theology, paper-making, recycling, to name a few. Even making soup—the one kind of cooking I do without consulting a recipe, and by far my only polished skill in the kitchen—was one of his best as well.

Today my best friend sent me a poem. I texted her, this is the best poem ever! She replied it was written for you! But it could as well been written for my father.

T H E   A R T   O F   D I S A P P E A R I N G
by Naomi Shihab Nye

When they say Don't I know you?
say no.

When they invite you to the party
remember what parties are like
before answering.
Someone telling you in a loud voice
they once wrote a poem.
Greasy sausage balls on a paper plate.
Then reply.

If they say We should get together
say why?

It's not that you don't love them anymore.
You're trying to remember something
too important to forget.
Trees. The monastery bell at twilight.
Tell them you have a new project.
It will never be finished.

When someone recognizes you in a grocery store
nod briefly and become a cabbage.
When someone you haven't seen in ten years
appears at the door,
don't start singing him all your new songs.
You will never catch up.

Walk around feeling like a leaf.
Know you could tumble any second.
Then decide what to do with your time.

*  *  *  *  *

I am that grocery store cabbage, ducking down the aisle to avoid neighbors. And it's safe to say that my Dad was that cabbage too. He didn't go to parties. He didn't like restaurants where the tables were close together. He was a quiet, private person; more comfortable alone than in a room of people. I am the same way: I endure parties, taking long breaks to walk outside. I have spent many a party reading in the car (I rarely feel this is a poor choice).

A few weeks ago, when my father was still able to carry on a conversation, he said something along the line of It's not easy, but that's just how it is. Life is hard. And I cringed. As a child, it was oppressive for me to hear this message over and over. Life is unfair. Life is hard. People are ungodly. People will disappoint you. I countered my Dad that day, even though I'd sort of given up on countering him at this point. My life hasn't been all that hard, I said. And it is true, all the doom and gloom I'd expected after my childhood never panned out. In fact, the opposite happened. There was so much light and beauty everywhere, people wanting me to do well. Helping me. Light pouring in every window, slipping through every chink in the wall. Some people were bad eggs, yes, and bad things happened: disappointments, heartbreaks, mistakes. But overall, the good seemed so much more substantial; the beauty so much more compelling. And somewhere along the line I found that the darkness bending around the corner was more a challenge to be met than a condition to endure.

In the last days of my Dad's life we read to him from the Chronicles of Narnia. He'd read those books to us so many times as children, and we knew he loved them. It seemed fitting to read them back to him now. And yet I puzzle over my Dad's love C. S. Lewis' imaginary Narnia—where no matter how bad things seemed there was a griddle on the stove with bacon cooking and buttered bread, where light and solemnity and joy were abundant—with his own darkly suspicious outlook. It seems to me that Lewis' fantasy world was not made up of inaccessible things: friendship, food, valor, beauty, kindness, and honor are available to almost anyone. (Well, of course I'd also like a crimson cloak, a healing cordial, and a friendship with a courtly talking mouse).

Which brings me to this: while I inherited many traits from my father, depression was not one of them. Once I was able to reject the murky worldview of my childhood, things got a whole lot better. Although I may want to hide from people in grocery stores, it's not because they are—or I am— rotten or evil. It's because I'm an introvert and find small talk exhausting. So many of the things my father seemed unable to appreciate and value in himself, I find also in myself. And yet, here's the rub: they are a source of joy and pride to me. Solace, enjoyment, meaning, hope, mastery, connection, and even professional fulfillment spring from these same traits and interests I share with my father. I protect these things in myself, finding ways to be that let them shine most fully.

That day after my Dad died, while I wandered along sloping lawns and under old maples, I opened the On Being podcast on my phone. A new podcast popped up, a conversation with the poet Naomi Shihab Nye. Nye is one of my favorite poets, and has been posted on my blog many times before. But that day she talked about a poem of hers with which I wasn't familiar: Kindness. As I walked and held the loss of my father—a loss more keen for the sad brokenness of what wasn't—her words on loss, on sorrow, and on kindness walked with me. Her voice creating a path through the sadness, like light streaming through the leaves overhead, and kindness walking beside me.

K I N D N E S S
by Naomi Shihab Nye

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

So little is a stone

Amber Schley Iragui © 2015

B U R N I N G   T H E   O L D   Y E A R
Naomi Shihab Nye

Letters swallow themselves in seconds.
Notes friends tied to the doorknob,
transparent scarlet paper,
sizzle like moth wings,
marry the air.

So much of any year is flammable,
lists of vegetables, partial poems.
Orange swirling flame of days,
so little is a stone.

Where there was something and suddenly isn’t,
an absence shouts, celebrates, leaves a space.
I begin again with the smallest numbers.
Quick dance, shuffle of losses and leaves,
only the things I didn’t do
crackle after the blazing dies.

*    *    *    *    *

It has been raining and raining and I'm having a hard time adjusting. I know that's what it does here: rain. I was born here; I lived here till I was twenty-five. But after fifteen years in New York—with the sun, and snow, and occasional thunderstorms—it's hard not to feel it is just too wet, too deeply damp, outside right now. I lay in bed and think about hibernation, of crawling into a warm little cave and sleeping until spring. A cave with a fireplace, and clearly a mantle, and a deep soft chair, and some books—and then we're basically dreaming about hibernating in my own house. My house but a little farther away from everything; away from the passing cars and the bouncing children.

But I like the sound of the rain, I admit. I like the sound on the roof of my office, now, as I write this.

I didn't watch the State of the Union address this evening. I only know that this event took place because, while the kids were falling asleep, I checked Facebook and there were all sorts of postings about it. And it occurs to me that I doubt I've ever heard a State of the Union address. Not one I can remember, at least. And similarly, when David Bowie died a few days ago—alerted again by multitudinous Facebook postings—I could not bring his voice to mind, or any song of his I knew. Disturbingly, his face is mostly familiar to me because a friend of mine owns a David Bowie doll that she dresses up posts photos of on Instagram. And so it seems to me that as far as popular culture and politics go, I'm pretty much hibernating all the time.

Which is not to say that I don't pay attention to things. I do, but just to a select few things. And to those things I pay close attention. For example: dreams, typography, the birds I see in the neighborhood. I pay attention to my children, not always what they say as much as how they seem to be doing. I pay attention to the plants in my kitchen window, and to book covers, and New Yorker cartoons; I take note of new authors and wait for their names to appear and reappear before I buy their books. I have been paying attention to what's been happening in Syria and Iraq, and watching the refugees streaming into Turkey and Eastern Europe and worrying for them. But I can't, you know, take it all in. There is far too much to pay attention to and I live in this small stucco house with lots of windows, under skies heavy with rain, and have small growing things to tend.

{ Julia's poetry wednesday post }

the space within my chest

  Wave Hill. © 2012 Amber Schley Iragui

The whirlwind of our days lately, I think they started sometime last summer. Or maybe when Valerie died without letting us say goodbye. But they haven't stopped, and I don't expect them to. I imagine they will stretch like this across many summers: I see my daughter grown tall before me, a young teenager asking permission to take a summer trip with friends; my son jumping off something too high and splintering a heel bone. There will be more sleepless nights, trips to the ER, lengthy discussions with my husband and difficult decisions.

There were years when I wished for something to happen, anything to happen. I would have welcomed an earthquake. Days when I had the embarrassing luxury of a dream journal. And more recently, there were stretches of time where just the normal routine of things was all I could bear. My energy pulled inward with a dogged desire to understand: Psyche sorting seed from grain, but within a seemingly Sisyphean time frame.

But then the grains are sorted, the larder stocked, the broken things swept away. And something marvelous happens. My gaze turns outward again, but from a deeper place; with less to prove and more to give, the space within my chest slowly unfurling.

This weekend was a blur of urgency and activity: we spent six hours in the ER with Genevieve, celebrated Charles' birthday and also a neighbor's birthday, had brunch with family from out-of-town, combed Manhattan for a prescription medicine that seems to be in a city-wide shortage (only to find, well past midnight, a lone bottle in Midtown East), went head-to-head with some of the legal obstacles facing our small little Waldorf school, and yet still managed to find time to peruse the aisles of an old-fashioned bookstore and wander in our beloved Wave Hill. Yes, I felt anxious much of the time, yet not done in—as if the opening in my chest made room for each thing in its turn.

I have seen these cycles within myself over and over. Everyone has their own rhythm, that mine move at a pace imperceptible to even me has been hard to accept. But my body, heart, and mind play a gentle melody together, and do so best without my anxious intervention. I cannot hurry myself out of fears, or convince my heart of things it does not believe. My body takes its cues from a place far deeper than my mind, and it is best not to mess in its business. Collect the facts, I tell myself, and just sit them there, on the counter of my mind. Ask. In time it will all be clear.

Lately I have taken joy in my slowness, in my deep stubbornness of heart. As if I can feel my roots reaching down further into ground, daring the wind to blow hard enough to move me. Just try, I say, I'm not afraid. But I also take comfort in I knowing I am so little. I may be a tree but I'm by no means an impressive one. All my own truths are partial truths: I am not in possession of the whole, and will never be. Lord have mercy, I whisper, give me the eyes to see.


T R Y I N G   T O   N A M E   W H A T   D O E S N ' T   C H A N G E
by Naomi Shihab Nye

Roselva says the only thing that doesn’t change
is train tracks. She’s sure of it.
The train changes, or the weeds that grow up spidery
by the side, but not the tracks.
I’ve watched one for three years, she says,
and it doesn’t curve, doesn’t break, doesn’t grow.

Peter isn’t sure. He saw an abandoned track
near Sabinas, Mexico, and says a track without a train
is a changed track. The metal wasn’t shiny anymore.
The wood was split and some of the ties were gone.

Every Tuesday on Morales Street
butchers crack the necks of a hundred hens.
The widow in the tilted house
spices her soup with cinnamon.
Ask her what doesn’t change.

Stars explode.
The rose curls up as if there is fire in the petals.
The cat who knew me is buried under the bush.

The train whistle still wails its ancient sound
but when it goes away, shrinking back
from the walls of the brain,
it takes something different with it every time.

Naomi Shihab Nye, “Trying to Name What Doesn’t Change” from Words Under the Words: Selected Poems
Copyright © 1995 by Naomi Shihab Nye. 

{ p o e t r y   w e d n e s d a y }

where memories lay, unordered but so bright

F R O M   H E R E   TO   T H E R E
Naomi Shihab Nye

Everything need readiness,
baskets emptied,
gladiolus spear placed in
a glass.

Before you begin,
before you let yourself move,
from here to there,
you attend to little things,
a cat's mouth open and crying,
a thin parade of ants
along the sill.

Something in the way we are made
wants order. Wants three pillows
lined across the head of the bed,
wants porches swept and shades raised.

Before we begin. Before we head into
those secret rooms no one else
has cleaned for years,
where memories rest in heaps,
without cabinets,
and have only to be touched lightly
to shine.

{ Poetry Wednesday }